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OVERVIEW: "Diatonic Theory and Harmony"
First of all, thanks for joining me. This DVD functions in two really unique ways. At the bottom of the page is a comprehensive list of the exercises that we will use to map the neck. In turn I will show you how use these exersices to understand how and why scales and chords function together as they do. The combination of these two approaches means that you will not only have the physical abiltiy to play in any key - up and down the neck, but you will also understand how and why things the chords and scales for the key you are in function "diatonically". Even if you are only interested in learning how to play chords and scales in all keys, this DVD will be a real winner for you. And for those of you who want to really understand how all of these pieces function together, if you choose to believe the review from Guitar Player Magazine (to your left) I think you'll find you're in the right place...
What is Diatonic theory and why is it important
to me as a gutiarist?
As a teacher, it has been one of my main goals to
instill the same sort of knowledge into my students that people
who have read music for years have. If you played the triads for
the key of C Major on the piano, you would move up and down hitting
every other white key in groups of 3 notes, if you were just voicing
the chords 1,3,5. On the staff that would alternate between notes
stacked on 3 adjacent lines and three adjacent spaces. In the act
of reading that, pianists learn how triads are built because they
have to read and play each note. If a guitarist sees a C Major chord,
they know what shape to play and where to play it, and that is about
it. My job is to give guitarists a reference point to get them up
to speed by learning how to construct / disect the modes, and in
turn reference key scale degree numbers like the 1,3,5 from each
mode to build triad/chords. Because most guitarists read charts
only (if they read any music at all), using the shapes of scales
compared to the major scale is a key trick to visually breaking
down the differnces between each of the 7 modes based on the major
scale. In turn, once you know the differences AND simimlarities,
it becomes easy to construct and deconstruct chords and figure out
how they fit diatonically. I have created a number of exercises
that show you systematically how break down scales into their scale
degree numbers, and in turn build chords off of these numbers, and
simultaneously have exercises showing you how to place triads, power
chords, 7 chords, (9) chords diatonically. Additionally, the accompanying
audio CD features chord progressions for each of the above types
of chords and in the final segment of the DVD I outline how the
chord progressions are functioning diatonically, as well as what
you can play over the top. If you can't apply it, I shouldn't be
teaching it!
Exercises covered on Diatonic
Theory and Harmony:
THE BASICS:
Note Location; Meters and Subdivisions; Open Position Chords; Barre
Chords
CORE EXERCISES:
G Minor Pentatonic in 5 Patterns; Modes (2nd Finger Root and 3 Note
Per String); Triad/Chords; 7 Chords
CONSTRUCTION:
Scales (Pentatonic, Modes)
Arpeggios (Triads, 7)
Chords (Barre, Power, Triad, 7, Sus, Add9, Stacked)
CHORD PROGRESSIONS: (on both DVD and
Audio CD)
Open Position; Power; Barre; Triad; 7; Add 9; Sus; Stacked
Doug Doppler
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